Tag Archives: Formal Analysis

March 07

Serial and Tonal Elements in Richard Rodney Bennett’s Concerto for Stan Getz

As a student of Pierre Boulez and a frequent visitor to the Darmstadt summer courses, it is not surprising that Richard Rodney Bennett’s music contains elements of serialism and other modernist techniques. What is unusual in the Concerto for Stan Getz, is that Bennett’s love of jazz and improvisation leads him to utilize elements of […]