Another Schubert analysis here. This one looks primarily at the harmonic scheme and phrase structures in this unique work of the clarinet repertoire. Franz Schubert’s song Der Hirt auf dem Felsen (Shepherd on the Rock) D.965, Op.129, was composed in 1828, the last year of the composer’s life. Written for voice and piano with clarinet […]
Tag Archives: Analysis
March
07
Serial and Tonal Elements in Richard Rodney Bennett’s Concerto for Stan Getz
posted by Andrew D Meyer
As a student of Pierre Boulez and a frequent visitor to the Darmstadt summer courses, it is not surprising that Richard Rodney Bennett’s music contains elements of serialism and other modernist techniques. What is unusual in the Concerto for Stan Getz, is that Bennett’s love of jazz and improvisation leads him to utilize elements of […]
andrew d meyer 
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